Archive for the ‘Dawn Song’ Category

 

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Ordinarily when I write longhand, I use a Lamy Extra Fine Point fountain pen or a Shaeffer Extra Fine on old accountant ledgers. (Why old accountant ledgers? See this post: https://michaelmarano.com/category/lovecraft/) Why a fountain pen? I love the feel and flow of a fountain pen and, best of all, I love the scritching sound they make on paper. I use ballpoints all the time for note-taking and regular, everyday writing not related to writing fiction. But the sound ballpoints make on paper isn’t nearly as satisfying as a fountain pen nib’s scritching. I’m old enough to have begun my writing career on a typewriter, and to write in a way that is not associated with some kind of sound feels like a cheat. (For that matter, as a journalist, I’m of the very last generation to have worked in a newsroom with a typewriter and a teletype. All that wonderful noise and clatter helped me to focus and make deadlines. I still have a few sheets of used teletype paper in my files, on the backs of which I scribbled copy.)

Why write longhand at all? Simple. I get really fucking sick of looking at computer screens. Past a certain point, they hurt my eyes, and my hands get all achey from too much typing. Plus, it’s just a good idea to grab a pen, a tablet of paper, plop down in a coffeehouse or a library and just write, without any interfacing digital technology. I think it’s a healthy way to use different parts of your brain, so they don’t get all creaky and gummed up.

Today, though… I wrote with a Cross Medium Point. Why? Because in the novel I’m writing, A Choir of Exiles, I had to kill two sympathetic characters, and the ink had to really flow along with the mayhem. I gotta finish typing it all up before I make dinner.

Maybe I’ll play a sound file of a teletype machine going, so it’ll sound like a race with a real deadline?

 

 

SLUMMIN' IN SOMERVILLE

 

Slummin’ in Somerville–Comedy
Wednesday, 9:30 AM CBS
“The Whirlwind Wednesday”

Wackiness ensues when Mike, kind of behind on the new novel he has under contract and trying to get back into condition for circus training after an injury, has to deal with Jim, his kooky new neighbor (Paul Sand), an aspiring songwriter who belts out love songs every night dedicated to his girlfriend Gladys… whom he’s only “met” over the phone after she dialed Jim’s phone as a wrong number! Tony Randall guest stars as Jim’s agent, and Doris Day has a cameo as the voice of Gladys.

Paul Sand Guest Stars with Mike Marano in SLUMMIN' IN SOMERVILLE

Paul Sand Guest Stars with Mike Marano in SLUMMIN’ IN SOMERVILLE

The totally gorgeous new cover for DAWN SONG by Erik Mohr

The totally gorgeous new cover for DAWN SONG by Erik Mohr

Hi, Everybody!

Above, please take a look at the stunning new cover by Erik Mohr for ChiZine Publications’ reprint of my first novel DAWN SONG. I think it’s an absolutely stunning piece of work, and when Brett Savory e-mailed me the cover, I was in a coffee shop in Cambridge, MA, where I kinda embarrassingly expressed my delight almost the same way Jan Brady would, upon receiving a signed 8 X 10 glossy in the mail from her favorite Monkee.

The reprint of DAWN SONG will be coming as a Trade Paperback and an ebook in June 2014; the ChiZine edition will be loaded with a few extra goodies that have not been in any other previous edition of the book. It will be followed by a sequel in 2015 and another sequel in 2016, the titles of which aren’t really finalized yet, though I can assure you that DAWN SONG: BREAKING DAWN has been considered and soundly rejected.

For those of you who don’t know, DAWN SONG was first published in 1998, and went on to garner the Bram Stoker and International Horror Guild Awards. According to some metrics, it’s still among one of the 100 most critically lauded genre publications, at # 72. (Hey, man… I’m right between Philip K. Dick’s Flow My Tears, the Policeman Said and Fredrick Pohl’s Man Plus on that list. That’s pretty goddam good company to be rubbing shoulders with!)

DAWN SONG is set during the first Gulf War build up of 1990, and is part of a mythology I’ve been developing in fiction based on the notion of a War in Hell… in which the struggles of various factions of demons in Hell for supremacy at once create, and are created by, the psychic shockwaves of conflicts on Earth. The book centers on the quest of Lawrence, a young gay bookstore clerk who’s come to Boston to create a new life for himself, and a Succubus who has also come to Boston to further the agenda of her demonic Patron in the War in Hell. I’ll be posting here about DAWN SONG some more in the future. But for now, let me sign off with a very generous quote from a writer who really helped me a lot in the development of my approach to this kind of material. Thanks so much for stopping by!

“‘The falling snow, dropping from the darkened sky, reminded her of the steady rain of souls upon the plains of her homeland. Although, unlike the souls, the snow did not scream.’ When I read those lines (from Michael Marano’s Dawn Song), I got up, turned on all the lights and checked the locks.”

“The author’s talent is unquestionable, his sensitivity and power of expression quite impressive. How rare to find a work of this genre written in so literate a style. It put me in mind of Anne Rice.”

–William Peter Blatty, author of The Exorcist and Legion

Hey, Everyone! Please check out Jaym Gates‘s interview with me at SFSignal about the upcoming reprint from ChiZine Publications of my collection STORIES FROM THE PLAGUE YEARS. Chizine’s Brett Savory weighs in on the reprint, and you can preview some of the gorgeous interior illustrations by Gabrielle Faust, as well as the bitchin’ new cover by Erik Mohr. Please check it out and RT, if you get the chance! Thanks! Click here to read!